The Face Question

I've been thinking about this one for a while.

"What is the intellectual property here?
The face?
The caption?
The image?
The writing?"

Then I think, maybe that's not the question.

Do you think you could pursue a critical reading audience
through connections made at art performances and operas?

Consider this: http://www.portlandopera.org/supers
Although it probably conflicts with your work schedule.





If people fail to perceive something as art, or as a performance,
does it then become not art or a performance?
I think when it goes into the world, art is at the mercy of its audience.